The Lord of the Flies name comes from the sow's head and the countless flies buzzing about it, which soon move from the sow's head to swarm around the head of Simon as the Lord of the Flies tells him, "I'm a part of you. His red hair stands out, as well as being associated with a fiery temper it also, significantly, indicated danger. When he, quite literally, masks his appearance with paint, far from neutralising his venom and pugnacity it gives it free rein.
Hidden behind it he can absolve himself of decency and responsibility, realising his most extreme evil potential. The end of chapter 1 offers a great sense of foreboding, and indicates the transition from civilisation to savagery.
Chapter 1 is the whole novel in embryo form, symbolic of furture events. The text concerns Ralph, Jack and Simon tackling the job of exploration with boyish enthusiasm, eventually discovering that they really are on a picturesque, tropical island, complete with lagoon, reefs, mountain and jungle. The authors of both texts also use their protagonists Winston, who cannot understand the rhetoric of the government party and Vincent, who is trapped, unable to achieve his dreams because of his imperfect genome, to demonstrate individual rebellion against society and explore the significant social injustices of a totalitarian state.
Destruction of individuality is an idea both authors explore to expose the broad social wrong of an oppressive society. After the group disbanded for shelter from the storm. The storm subsided and the tides moved in and out, Simon's body was washed to sea. Here because of the storm, the darkness and fear the boys became hysterical.
They acted savagely not knowing what they were doing. The boys did not take a second look to what their actions were. Perception of Symbols In the novel Lord of the Flies by William Golding, the British boys are deserted on an island and get in touch with many features that form symbols of different concepts. The split between the two groups becomes more evident in this chapter as the beast takes the form of a "sea monster". This idea of a "monster" rising from the sea shows that it really arises form the unconscious minds of the children.
The deaths on the island also contribute to the fall of order within the group. Personally, I believe that the sense of order deteriorates due to several factors including the jealousy of Jack and the belief of a "beast-thing". I think that Golding is telling the reader about mankind and civilisation, such that if there were no civilisation in the world, mankind would create chaos.
Lord of The Flies reflects on the human conduct themselves on an inhabited island where rules no longer exist. Open Document. Essay Sample Check Writing Quality. The Continual Breakdown of Society in Lord of the Flies In the Lord of the Flies, William Golding uses a variety of symbols to represent ideas, or abstract notions or conceptions about people, places, and things.
A symbol, according to the Webster's Dictionary, is an object that stands for something in addition to its literal meaning. In the book, there is a continual breakdown of society and civilization on the island. During this breakdown, Golding uses symbolism to further explain the process. Some of the things he symbolizes in the novel are the island itself, the conch, the boys clothing, and the violence. In The Lord of the Flies, Golding symbolizes the island in many ways.
To begin, the island was pure, and clean before they crashed. The crash left a scar on the island. The island was symbolized as the "Garden of Eden", when they got there, and at the end it was like "Hell on earth". The boys made the island unpure when they landed. Throughout the story, the boys that are stuck in the island return to their natural selves, which as Golding percieves it, is evil. William Golding was born in the 20th century roughly around the time World War I was taking place.
He went to Oxford and shortly after starting his studies as a natural scientist, changed his focus to English Literature. Open Document. Essay Sample Check Writing Quality. As Simon's waits for the beast's arrival near the bloody sow's head on the stake buzzing with flies , The Lord of the Flies speaks to him, warning him not to get in its way or else he shall be killed by the boys. The Lord of the Flies name comes from the sow's head and the countless flies buzzing about it, which soon move from the sow's head to swarm around the head of Simon as the Lord of the Flies tells him, "I'm a part of you.
There is a clear distinction between this book and The Coral Island. There is no separation between boys and savages, good and evil , Christianity and cannibalism, British and savages in this book, where as in the Coral island this distinction comes out many times. Jack is the novel's primary representative of the instincts of savagery, violence, and the desire for power, which is shown from the beginning. When the idea of having a Chief is mentioned, Jack speaks out immediately.
Jack and his compatriots are portrayed as militaristic and aggressive, with Jack's bold manner and the choir marching in step with one another.
They are the first concrete entrance of civilization onto the island and a decidedly negative one; These two instincts may be called "the instinct of civilization" and "the instinct of savagery," as one is devoted to values that promote ordered society and the other is devoted to values that threaten ordered society. Throughout the novel, the instinct of civilization is associated with goodness, while the instinct of savagery is associated with evil, and the latter prevails.
It is only at the very end of the book that the group is drained of savagery, as the captain pictures these small, ragged, confused little boys.
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